Zing, lino on paper, 20cm x 20cm
This was the first work I made in the lockdown of 2020 which kickstarted an artistic revival for me. I had had a pause in making and this led to a serious re-engagment with the creative process.
'Fraubraun (with red felt jacket from the Italian market)', 2015/17, oil on canvas, 30 x 40 cm
City (by the bridge), 2019, felt tip and coloured pencil on paper, 20 x 15 cm
The River, 2018, colour pencil and felt tip on paper, 29.5 x 21 cm
View from the gallery (Peckham), 2019, mixed media on paper, 20 cm x 20cm
Newport Beach, Wales, fibre pen on paper, 20 cm x 20 cm, 2022
PLOP, lino print on paper, 21 x 29 cm, 2020
Linocut with no pre-design, one section and line leads to another to create a visual perspective game.
The Mast, 2019, linoprint on paper, 20 x 15 cm
View from Muhlberg, Munich, felt tip on paper, 21 x 15 cm
Drawn from direct observation.
Walking along the Iser, Munich, felt tip on coloured card, 29 cm x 42 cm
Zing, lino on paper, 20cm x 20cm
This was the first work I made in the lockdown of 2020 which kickstarted an artistic revival for me. I had had a pause in making and this led to a serious re-engagment with the creative process.
'Fraubraun (with red felt jacket from the Italian market)', 2015/17, oil on canvas, 30 x 40 cm
City (by the bridge), 2019, felt tip and coloured pencil on paper, 20 x 15 cm
The River, 2018, colour pencil and felt tip on paper, 29.5 x 21 cm
View from the gallery (Peckham), 2019, mixed media on paper, 20 cm x 20cm
Newport Beach, Wales, fibre pen on paper, 20 cm x 20 cm, 2022
PLOP, lino print on paper, 21 x 29 cm, 2020
Linocut with no pre-design, one section and line leads to another to create a visual perspective game.
The Mast, 2019, linoprint on paper, 20 x 15 cm
View from Muhlberg, Munich, felt tip on paper, 21 x 15 cm
Drawn from direct observation.
Walking along the Iser, Munich, felt tip on coloured card, 29 cm x 42 cm
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